Category - Bollywood

Dangal Trailer crosses 20 million views, unstoppable on Youtube

The trailer of Aamir Khan’s Dangal has gone viral not only in India, but in several countries across the world. Released on 20th October, the trailer was the fastest to cross 5 million, 10 million, 15 million and also the 20 million mark. Check out the time the trailer took to cross those films: 10 million in 30 hours 15 million in 48 hours 20 million in 83 hours The most watched Hindi film trailer is Sultan, which has more than 33 million views on Youtube. Judging by the pace at which Dangal is going, it could soon replace Sultan as the most watched Hindi trailer.

AskIndicine: ADHM, Shivaay special QnA at 4PM

Two major films, Karan Johar’s Ae Dil Hai Mushkil and Ajay Devgn’s Shivaay, are scheduled to release in theatres this coming weekend. Both the films have been in news for all the wrong reasons and it’s also been the ugliest clash of all time. Today’s QnA will be dedicated only to the two films. Post your questions in the comments section below. Q. Can Shivaay score over Ae Dil Hai Mushkil? A. If your question is about the first day collections, then we expect ‘Shivaay’ to be around 5% ahead of ‘Ae Dil Hai Mushkil’ on Day 1 (final predictions on Thursday). Both films haven’t been able to seize the initiative as far as promos are concerned. Shivaay had a solid trailer that managed to create huge interest, but it’s been downhill since. ADHM’s trailer got a mixed response, but the songs and promos that followed have been received well. What gives Shivaay the edge is action and scale, which should help the film open well at the single-screens. Q. Which is a hotter film in trade at the moment? If both films have good content then which film is going to win the clash? A. The trade has been favouring ‘Shivaay’ since Day 1 and understandably so. Urban multiplex films like ‘ADHM’ have never been a trade favourite. As for the film winning the box office clash, it’s going to be about content. And content is going to carry even more significance in this clash because Friday, Saturday and Sunday will fall under the Pre-Diwali period. So by the time the audience come out in big numbers (Diwali holiday on Monday), the film that’s carrying better word-of-mouth will begin to score big at multiplexes. If both films get mixed word-of-mouth, then the trend over the weekend should give us a clear indication of which film will emerge victorious. Q. How many screens would be allotted to Shivaay and ADHM respectively? A. Shivaay should end up getting higher screens, due to its wider appeal, especially at single-screen theatres. The final screen count could well be very similar to Mohenjo Daro (Shivaay) and Rustom (ADHM). It’ll also be interesting to see how the multiplexes divide the shows. It was 50-50 for MohenjoDaro vs Rustom, it could be the same this time around too. We’ll keep you updated on the screen count, clearer picture on Wednesday, closer to release. Q. Thanks Indicine for keeping us tuned in to your site every Sunday? We really enjoy this question and answer session. Please never end it. A. It won’t end. Thank you for your interest and support. Q. Both movies are not family driven, both have kisses and romantic moments. Won’t it affect them during a festival like Diwali? A. How are ‘romantic moments’ not family friendly? The family audience does not even mind watching kissing scenes on the big screens anymore, even all-time grossers like PK and 3 Idiots had kissing scenes. It’s no big deal as long as they are aesthetically shot and do not look vulgar on-screen. Q. Wasn’t there a scheduled 2nd trailer of Shivaay to come? First one was more of a lengthy teaser type theatrical revealing nothing about the plot of the movie. So can this be said as a missed trick by Shivaay team to release a second trailer just few weeks before and again push up the buzz which has been lacklustre of late with poor promos? A. Ajay was happy with the kind of response the first trailer got, which is why he and his team decided not to follow it up with a second trailer. It would not make much of a difference, the trailer has been liked, it kept the mystery but conveyed what the film was about. So people who want to watch it will get to theatres. Those who rely on word-of-mouth will wait it out and then decide. Update: We’ve been informed that there will be a second trailer out tomorrow or day after. Q. Is it true that Shivaay will lead in single screens and Ae Dil Hai Mushkil in multiplex or does Shivaay have a edge even in multiplexes? A. Ae Dil Hai Mushkil has a lot going in its favour at multiplexes. Karan Johar is a popular director, Ranbir Kapoor is a more popular star, Anushka commands a huge following and is returning after Sultan. There is the ‘new pair’ factor of Ranbir-Anushka too. Then there is Aishwarya Rai Bachchan and extremely popular music. None of this ‘Shivaay’ has. It’s pretty much a one-man-show with Ajay leading and he himself isn’t a hugely popular star with the urban youth. So it’ll be Karan + Star cast + Music of ADHM vs Shivaay the film itself. At single-screens, action will sell and Ajay has a following in the core Hindi belt. Plus the advantage of a film titled ‘Shivaay’ during a festival like Diwali. So it should all help the film lead at mass centres. Q. Collections needed for Shivaay to become a clean hit at box-office? A. We’ll be posting the economics soon. The first target for ‘Shivaay’ will be 100 crore, but it’ll have to surpass Ajay’s highest grosser ‘Singham Returns’ (140 crore) by a fairly decent margin if it has to become a big enough success. Q. Now that both the films are very near to release, what does Team INDICINE think that which will be the better film? Only content wise, not box office wise. A. At the risk of being accused of taking sides, we’d put our money on ‘Ae Dil Hai Mushkil’ at this point in time. A lot has happened in the last couple of months, but it’s been difficult to understand a lot of what ‘Team Shivaay’ has said. Right from involving someone like Kamaal R Khan, to all the other things that have been said, it’s been one ugly clash. The other side hasn’t even spoken or responded to the allegations yet. In fact, more has been spoken about the clash, the opposition, and not the film itself. All for what? Morning shows on the first day? After that the content would take over, wouldn’t it? From Ajay’s point-of-view, it could be the pressure of handling it all and a lot of his own money is at stake too. While all that is understandable, a person who is confident of the film that he’s made, would let the film and its content do all the talking. Q. Indicine, I know it is not related to the clash but (please please) could you please do a poll between the two teasers of RAEES and KABIL? (it wont cost you anything but you will fulfil a fan’s desire) A. We don’t think a comparison between the two teasers is right at this point in time. Because the visuals of Kaabil were not shown in the teaser, else we’d have put out a poll immediately after the teaser was out. Raees was more like a half trailer. But anyway, vote below: Q. If both the movies ADHM and Shivaay receive extremely positive word of mouth which movie could collect more? A. Shivaay is the more universal film, so if both films turn out to be extremely well made, Shivaay would race ahead of ADHM on the strength of solid business both at single-screens and multiplexes. In that way, ADHM will be more restrictive, appealing to audience in those Top 20-25 cities. There would be no stopping Shivaay if it’s a brilliant film. If word-of-mouth is mixed, that’s when the higher ticket prices at bigger centres, will begin to benefit ADHM. It doesn’t have to sell as many tickets as Shivaay to succeed. Q. Will ADHM face ban in 4 states in single screens? A. No. We expect it to get a stable release. Q. Does the supporting cast of the film really make a huge difference? ADHM has a strong supporting cast. Shivaay doesnt. But a film like Dangal without any big names in the supporting cast is making news continuously. Dont you think it’s the promotional strategy and audience acceptance of the trailer that matters more than supporting cast? A. It depends. A film like ‘Welcome Back’ or ‘Garam Masala’ benefitted hugely from its supporting actors. Paresh Rawal added tremendous value to films like ‘Hera Pheri’, ‘Hulchul’ and others, even though he was only a ‘supporting’ actor. But when it comes to films featuring the top Khans, the supporting cast doesn’t really add much value as someone like an Aamir would over-shadow everyone else. In a film like ‘Rang De Basanti’, another actor had a more substantial role, but it was Aamir who not only got the audience to theatres, but also got all the credit for the film’s success. Not many in India might like him anymore, but Fawad Khan was called the best thing about the ‘ADHM’ teaser by some. Aishwarya has a huge following overseas too. So supporting cast does add value. We can’t compare star cast to trailer or promotional strategy. Marketing is probably the least important of the three, because if you have a good cast and solid trailer, it should create enough awareness and interest amongst the audience. Q. What are your thoughts about the whole controversy related to ADHM. Do you think MNS demands are justified? A. To answer whether MNS ‘demands’ are justified, we need to know how MNS is even in a position to ‘demand’? CBFC has passed the film, government has no problem with Pakistani stars, the movie was shot way before the government decided to isolate Pakistan (which we, as Indians, should wholeheartedly support) and even the army has said it doesn’t need such favours. Moreover, the producer is Indian and the entire lead cast is Indian too. Fawad Khan will neither lose nor gain. We’ve got to add here that Anurag Kashyap’s tweets were probably the most stupid and gave this entire controversy a major political angle. A lot of people have been adding fuel to the fire, and made this silly controversy into a big one. Q. Who has more stardom? Ajay or Ranbir? A. Ranbir in cites, especially with the urban youth. Ajay at smaller centres. Q. Can Ajay Devgan cross 200cr lifetime with Shivaay. A. It’s going to be very difficult, unless it’s a fantastic film. Q. A lot has been said about Ranbir and his stardom. But why people are so damn negative? I mean I agree there is not a single hit in his kitty since YJHD but all of his film opened well but doomed because of poor content (except BB). Even a niche film like Tamasha opened similar to commercial Dishoom. Your views? A. Every actor goes through phases like Ranbir is going through at the moment. But like we’ve already said, it’s about that one film finding acceptance and doing well. His career will be back on track and the perception will change if ADHM works at the box office. Q. Is Shah Rukh Khan’s guest appearance confirmed in Ae Dil Hai Mushkil or is it mere rumours? A. Confirmed. He makes a special appearance. Q. Does ADHM have a chance of getting a bigger opening than Shivaay? A. If the word-of-mouth is very good, then yes, ADHM could begin to show growth late afternoon / evening onwards. It’s going to be a very tough prediction for us. Q. How big of an impact current controversy will have on ADHM if it gets uninterrupted release? Considering the sentiments of some Indians who will not watch it due to Fawad’s presence & the free publicity it has got for same reason? A. Every form of publicity is good. The section of audience who are not going to the watch the film because of Fawad will be negated by the awareness that the controversy has created. Stable release and audience acceptance of the film would be the only two things the makers of ADHM would be hoping for. Q. How much does Shivaay have to collect for Ajay to be in your top five rankings? A. Shivaay needs to collect 210 crore or more for Ajay to beat Akshay to enter the Top 5 in our ranking. Ranbir can enter Top 5 if ADHM earns 203 crore or more. Top 5 looks difficult for both. Q. Guys till now you have not even cared about my question for one time, so i hope this time you’ll.. Don’t consider Shivaay and Adhm because they have generated a lot of buzz…so just answer my question in normal terms. Who is the better or huge crowd puller? It is Ranbir or Ajay? A. We’ve already answered this. Ranbir at multiplexes and major cities, Ajay at smaller towns and single-screens. Q. Why is music response of Darkhaast low even though the song & picturization is good & at par (if not equal) to that of ADHM songs? A. Yes, it isn’t tracking even though it’s a excellent song. Difficult to give reasons for this, ‘Tu Hai’ was a quality song from Mohenjo Daro too.. but it simply did not track. If ‘Shivaay’ is liked and does well at the box office, the songs of the film will eventually gain popularity. Q. What will be the parameter to decide winner of the clash? Will it be total collection or the verdict? A. Shivaay has to collect more than ADHM. Final verdict will be given based on economics of the two films. Q. If ADHM gets good response from only the multiplex audience.. is it enough to win the clash? A. Yes. Q. Did you guys like the strategy of adhm team not releasing the whole music album yet? Is this a planned move to generate more curiosity/popularity or it might be that they are not ready with the music fully? Can this strategy work in the future for all films as today its all about online platform only and no one really buys an audio cd/cassette? A. The music album will be out on Tuesday. Thank you for joining us today. More than 25 questions were answered. We have a lot more for you think week, so stay tuned.

Free tickets of ADHM and Shivaay

We have two films that are scheduled to release during the Diwali weekend, so it’s time for the IndicineFBO contest (begins every Saturday if there is a new release). This week we are giving away 8 tickets to 4 winners. Four free tickets of Shivaay and four free tickets of Ae Dil Hai Mushkil (ADHM). To help you increase the chance of winning, we expect the two movies combined to collect somewhere between 20-30 crore on Day 1 *combined*. This is because both films are releasing before the Diwali period, during which a section of the family audience do not come out to watch movies.

Baahubali 2 Poster

The first look poster of Baahubali 2: The Conclusion is out and it looks splendid. It’s the second part of one of...

I do have the fear of losing my stardom: Ajay Devgn

Bollywood actor Ajay Devgn, who will be seen in next week’s Diwali release ‘Shivaay’, has said he fears losing all the love that he gets from his fans. “I fear losing my stardom. Yes, you do have that fear … at the end of the day, you get this habit of getting love from people and suddenly if it stops, it really affects you” Ajay said.

Ajay Devgn to donate part of Shivaay’s Day 1 collection to Uri martyrs

Ajay Devgn will be donating a small part of Day 1 collections of his upcoming film, Shivaay, to the family of the Uri attack martyrs. The Cinema Owners and Exhibitors’ Association, who recently took the decision to not screen Karan Johar’s Ae Dil Hai Mushkil, have started a fund raising initiative to help the families of the Uri martyrs.

Mohenjo Daro Television Ratings

‘Mohenjo Daro’ has recorded average television ratings, barely managing to enter the Top 5 ratings for films released in 2016. The ratings are way below-the-mark when compared to the price for which the satellite rights were sold for. The other films that performed well on television in the 2nd week of October were PK (35,62,000), Prem Ratan Dhan Payo (31,19,000) and Dishoom (30,89,000).

31st October Reviews by Critics

[mks_button size=”medium” title=”Average Rating of All ’31st October’ Review – 2 stars” style=”rounded” bg_color=”#1e73be” txt_color=”#FFFFFF” icon=”” icon_type=””] 31st October Review by Saibal Chatterjee on NDTVMovies Rating: You want to root for 31st October. That is the kind of film it is. You want to will it on to punch above its weight. Sadly, it is too feeble in the legs to run the distance with its heavy burden. The dawdling pace reduces the narrative to a crawl. 31st October has its heart in the right place. What it lacks is genuine firepower. Despite the anger and anguish that drives it, it is unable to whip up urgency and force. A series of title cards at the end of the film fills the audience in with broad details of what happened on that fateful day and its aftermath. It is as if the horrors that it depicts in the previous 100 minutes or so aren’t enough to get the point across. 31st October Review by Rohit Vats on Hindustan Times Rating: There isn’t just one narrator or a central character. That shifts focus to some extent because sub-stories become a bit preachy about the riots. It’s all there in front of our eyes. Do we still need somebody to hammer it through our heads? If we do, then we are only going to take it as just another film about riots and not as a strictly non-repeatable crime. 31st October is an important film, especially when many have gone scot-free in the anti-Sikh riots cases even after so many years. It’s going to be 32 years in 10 days. As they say, justice delayed is justice denied. 31st October Review by Manisha Lakhe on Nowrunning Rating: The fires on the riot affected streets seem very organised and carefully placed on the side. When Soha is pushed out of the bus that is set on fire, she takes forever to run away from the bus, turning around to look at it. When there are rioters on streets, no one will ask their sister and her family to leave their home and drive across the city to come to where you have found shelter! The whole premise seems to be too flimsy, and does not do justice to such a horrendous part of our recent history. Movies like Amu (directed by Shonali Bose, and starring Konkona Sen Sharma in 2005) have handled this subject with so much more sensitivity and manage to make the events shocking even to those too young to remember. The final nail in the coffin is watching Vir Das (who could not be more than 30 years old in the film) in a full white beard, old man’s shakes and all and Soha Ali Khan with white powder in her hair and an Arthritic knee tell us that justice will never be given to the victims… Such a waste of a great opportunity. 31st October Review by Jaidev Hemmady on Movietalkies Rating: Though the film takes its time to come to the point and focuses on the families of various Sikhs in Delhi instead of offering some background about Operation Blue Star, which had provoked the assassination, 31st October packs a powerful punch from the interval point onwards to the end credits. The sequences involving the rescue mission will surely make you sit on the edge of your seats as you find yourself silently rooting for the Singh family while chewing your fingernails. Director Shivaji Lotan Patil succeeds in weaving a thrilling story of heroism and survival with an emotional connect, though we feel that the film should have offered some background about the Blue Star issue, if only in passing. Review by Vishal Verma on Glamsham Rating: 31st OCTOBER could have been the opportunity by the national award winning helmer Shivaji Lotan Patil to make a strong and powerful statement on screen. Unfortunately the movie ends up as a sensationally forced recall of the 1984 horror that has a feeling in its heart but fails to convincingly put it on screen. Review by Devarsi Ghosh on India Today Rating: 31st October, however, is a maudlin, meaningless two-hour long film where Delhi is overflowing with anti-Sikh sentiment following Indira Gandhi’s assassination. The rioters are one-dimensional to the point of being funny. Shivaji Lolan Patil should understand that this is 2016 and the audience is quite capable of ‘getting’ subtlety, complexity and depth, things that are totally absent in this film. In fact, if you have actors like Vir Das and Soha Ali Khan as your protagonists, a certain kind of audience will invariably walk into the theatre; you do not to dilute the material to make it accessible. Review by Nihit Bhave on The Times Of India Rating: Entirely too much time is spent on the set-up, the first half is dialogue-heavy but characters seem to ramble and the sound is terrible. When actors speak, you feel them dubbing the lines right there, next to you. Producer-writer Harry Sachdeva’s heart must have been in the right place, but a lot else wasn’t. In parts, the movie ends up looking like a dramatic reenactment of riots from a crime show. Soha Ali Khan and Vir Das try to be sincere but don’t have much to do. Das’s Devinder practically spends the whole second half sitting, sleeping, huffing and puffing to combat his low blood pressure. Review by Shubhra Gupta on Indian Express Rating: There has been almost nothing in mainstream Bollywood about those dark days. 31st October had the chance to re-construct that ghastly day and show just how an event can spiral out of control, and just how easily hatred can be fanned and spread when the law and order machinery has been told to look the other way. But the film has nothing – neither narrative nor engaging characters—on offer. Das is hopelessly miscast. The others fare no better. Khan at least tries hard to look the part, but cannot rise above the sheer ineptness of this enterprise, which neither tells nor shows us anything we do not know. Review by Prasanna D Zore on Rediff Rating: The first half of the film moves at a languid pace as the National Award-winning director showcases the bonhomie between the two communities before the assassination. The second half equally lacks the pace that should accompany a rescue mission. Khan, as an actor, doesn’t have much to do as a mother whose mental toughness and the belief in God is put to the test. Vir Das does touch an emotional chord or two as the father of Sikh boys, who has to make a decision between staking their lives at the cost of their religious identities. Given these limitations, 31st October could be a one-time watch. Review by IANS on Sify Rating: Such characters and incidents belong more to a long-running Doordarshan serial than a feature film. Much of the drama is theatrical and the acting is plainly amateurish. But 31 October is a film that must be seen more for what it tells us rather than how it says it, about a shameful chapter from Indian history. At the end we see the now-old Sikh couple, trapped in a web of frustration and rage, still waiting for justice. Review by Johnson Thomas on Mid-Day India Rating: The plot is extremely flimsy, the characterizations limited by casting and imagination and the pace is too slow to be effective. The performances also lack grit. Neither a simpering Vir Das nor a seriously sincere Soha Ali Khan can do enough to make this effort memorable or haunting. The statistical data on the killings and the appeal for contributions and support at the end credits come across as opportunistic given that the filmed experience itself does grave injustice to a cause that almost seems like a lost one now. ‘31st October’ is why fledgling inept filmmakers should stay away from history-invoking true stories, else such heinous acts might well be wiped out from the collective conscience for want of a skilled and able raconteur! Review by Bryan Durham on DNA India Rating: The lead pair make you yawn. They’ve got negligible chemistry as a married couple. Their children are annoying. Their neighbors are annoying. The supporting cast looks like it was put together by someone not serious about their job. The actors can’t decide on what accent to keep, what emotions to portray, the characters weakly written, you wonder why they even bothered with a screenplay. Review by Arnab Banerjee on Deccan Chronicle Rating: As a film, 31st October should have served to encourage a sobering sense of responsibility, a more truthful perspective on our identities — both individual and national — and a stronger tendency toward restraint in those who might find violence appealing. And justifying. There was a goldmine of rich material here, but there is nothing explored of the dark subject matter in this story. Neither is any attempt made to go beyond what is already in public domain, and so, the film fatally lacks in focus or momentum. In terms of the background to such an unfortunate incident, the director doesn’t furnish us with any more insights, whatsoever, to give us a peep into the cause for such an attack. This could have been a revelatory work on the nature and consequences of physical, emotional, psychological and sexual violence too. Instead, all that the narrative focuses on are gory killings that make viewers bruised by depictions of gross violence. Even after so much bloodshed shown, the discomforting exploration of human misbehaviour fails to strike a chord among the viewers: so devoid of any emotional connect the film remains. Review by Divya Pal on News18 Rating: While the film manages to capture the unabated violence convincingly, and the efforts that stranded Sikh families to save their lives and a few Hindu families extending help, the impact doesn’t come across too strongly. So you might find the sequences of violence and barbarity leaving you a bit disturbed, but it gets forgotten with the next sequence that follows. As far as acting is concerned, Soha Ali Khan and Vir Das are average. Both Khan and Das were doing a project that gave them the opportunity to display every ounce and nuance of emotion. They could have easily delivered a range of emotions and proved their mettle. But they fail. Their eyes might swell with tears but it won’t affect you much. Since the film clearly lacks emotional depth, it might not strike a chord with those who witnessed the horror. Review by Kunal Guha on Mumbai Mirror Rating: Vir Das portrays pain like a man with acid reflux. But given the Flanders-esque (The Simpsons) character written for him, there’s barely much he could offer. Soha Ali Khan pulls off her Sikhni convincingly and faintly resembles a young Amrita Singh, despite her petite frame. The blood-spattered font in the opening credits is telling of the violence this film packs in. Families being burnt inside their cars, victims being dragged out of their homes and their limbs severed on the streets and so on. Even if you have the appetite for so much gore — you’d still rather watch a slasher — it would at least not be as sappy. Best Rated Films in 2016 Pink – 4 stars Neerja – 4 stars The Jungle Book – 3.8 stars Airlift – 3.7 stars Kapoor & Sons – 3.7 stars Udta Punjab – 3.5 stars Fan – 3.5 stars Budhia Singh – Born To Run – 3.4 stars Sultan – 3.3 stars Dhanak – 3.3 stars Phobia – 3.3 stars Waiting – 3.3 stars M.S Dhoni – The Untold Story – 3.2 stars Parched – 3.2 stars Sarbjit – 3 stars Happy Bhag Jayegi – 2.9 stars TE3N – 2.8 stars Dishoom – 2.7 stars Madaari – 2.7 stars Akira – 2.6 stars Rustom – 2.6 stars Azhar – 2.6 stars Kabali – 2.6 stars Baar Baar Dekho – 2.4 stars Mirzya – 2.3 stars Fuddu – 2.3 stars Saat Uchakkey – 2.3 stars A Flying Jatt – 2.2 stars Freaky Ali – 2.2 stars Mohenjo Daro – 2.2 stars Banjo – 2.2 stars Rocky Handsome – 2.1 stars Tutak Tutak Tutiya – 2.1 stars Raaz Reboot – 1.7 stars Beiimaan Love – 1.1 stars

Kaabil Teaser

Check out the teaser of Hrithik Roshan’s Kaabil directed by Sanjay Gupta. The film, produced by Filmkraft...

Rajasthan Government requests SC for urgent hearing in Salman’s case

The Rajasthan Government has asked the Supreme Court for an urgent hearing challenging Salman Khan’s acquittal in the two Chinkara poaching cases on Thursday. The government had approached the Supreme Court against the acquittal on Wednesday, asking it to direct Salman to surrender. They also claimed that his driver was deliberately not cross-examined by his lawyers.

Dangal Trailer

Well, possibly the most awaited trailer of the year. What do we say about Aamir Khan. A industry legend who returns...

Dear Zindagi Take 1 Teaser – Life Is A Game

Life is a game, play it by your rules! Watch the first teaser of upcoming film, Dear Zindagi. The film stars Alia Bhatt and Shah Rukh Khan. The film is directed by Gauri Shinde and produced by Gauri Khan, Karan Johar and Gauri Shinde Dear Zindagi is slated to release in cinemas on 25th November 2016. Shahrukh Khan: And so it begins. The sweet journey of life… Here you go, @aliaa08 . #DearZindagiTake1 Alia Bhatt: It’s here! #DearZindagiTake1: Life is a Game! DearZindagi-Take1 … @iamsrk

SS Rajamouli will release ‘Baahubali 2: The Conclusion’ first look on October 22

The first look of Director S S Rajamouli’s much-awaited film ‘Baahubali 2: The Conclusion’ will be shown at the 18th MAMI Mumbai Film Festival on  October 22. “I am really excited to share the first look of ‘Baahubali 2’ with all the fans. Doing it at MAMI Mela is going to be a lot of fun. Especially with the entire cast on stage with me,” Rajamouli said in a statement that was released to the media.