Category - Bollywood

Second schedule of ‘Baadshaho’ begins

The second schedule of Milan Luthria’s upcoming movie ‘Baadshaho’ has begun in Jodhpur, Rajasthan. Actor Emraan Hashmi, who reunites with his ‘Once Upon A Time In Mumbai’ director and co-star Ajay Devgn announced the shoot progress on Twitter “Second schedule of ‘Baadshaho’ starts in the blue city of Jodhpur!! Wish us luck,” Emraan tweeted.

Shah Rukh, Salman Khan to co-host Star Screen Awards

Bollywood superstars Shah Rukh Khan and Salman Khan will be co-hosting the Star Screen awards, which will be held on December 4. The news comes a day after Salman announced the release date of SRK’s upcoming untitled film directed by Imtiaz Ali. Salman had tweeted ”SRK ki film aa rahi hai. Date maine decide kar di hai. Title tum log decide kardo. Best of luck Anushka Sharma, Imtiaz Ali”

Gilehriyaan Song Video – Dangal

What happens when a young girl experiences freedom for the first time? The latest song from Aamir Khan’s upcoming film ‘Dangal’ titled ‘Gilehriyaan’ captures Geeta Phogat’s journey as a teenager in the midst of her wrestling training. The song has been composed by Pritam, Jonita Gandhi’s soulful voice makes Amitabh Bhattacharya’s lyrics a delight to listen to! The song features Fatima Sana Shaikh and Sanya Malhotra, who play Geeta and Babita in Dangal. There is Aamir in there too, but this isn’t his song. Check it out: Song Video: Gilehriyaan Music: Pritam Lyrics: Amitabh Bhattacharya Singer: Jonita Gandhi

Bollywood Movies 2017: Full list of Release Dates

Holiday / Partial holiday / Other weekends in 2017: Republic Day: Raees and Kaabil Holi: Badrinath Ki Dulhania Valentine’s Day: Jolly LLB 2 Ram Navami: Naam Shabana Good Friday: Fast and Furious 8 May Day (Labour Day): Baahubali The Conclusion IPL Season end: Half Girlfriend Raksha Bandhan: Mubarakan Independence Day: SRK – Imtiaz Ali – Anushka Sharma film and Toilet Ek Prem Katha Gandhi Jayanti / Dussera: Judwaa 2 Major festive releases: Eid: Tubelight Diwali: Golmaal Again and Secret Superstar Christmas: Tiger Zinda Hai Check out the full Bollywood Calendar of 2017 below and tell us which films are you waiting to watch next year!

Bareilly Ki Barfi Release Date announced

The release date of Bareilly Ki Barfi starring Ayushmann Khurrana, Kriti Sanon and Rajkumar Rao in the lead has been announced. The film will release in theatres on 21 July 2017, two weeks after Tiger Shroff’s Munna Michael and one week before Arjun Kapoor’s Mubarakan. The romantic comedy has been directed by Ashwiny Iyer Tiwari.

No Bigg Boss or television campaign for Dangal: Aamir Khan

Bollywood superstar Aamir Khan has planned a subdued promotional campaign for his upcoming film. The actor won’t be promoting his film on television. That also means, Aamir won’t be making an appearance on his good-friend Salman Khan’s television reality show ‘Bigg Boss 10’

AskIndicine: Live Now

The live ‘QnA’ session begins at 4PM today, post your questions in the comments section below: Q. How was 2.0 posters and 3D teaser? Can it open huge like 20+ crore in Hindi? A. The response is mixed because the teaser was shown in 3D and many in the audience did not have 3D glasses, even those watching the event live on Youtube were disappointed. As for the opening, it’s the biggest and most expensive film of 2017. Diwali falls on Thursday next year and the big holiday is on Friday. Perfect time to release the film. The combined collections from all versions could well be nearly two times more than the highest single-day of all time. Even a 70-75 crore total on the first day is a possibility, because ticket prices will be insanely high and the hype will be bigger than ‘Kabali’. Unlike ‘Kabali’, ‘2.0’ has Akshay Kumar to add star value in the North Indian markets. If ‘Golmaal 4’ opts for a different date, then records across the country will be decimated by a distance. Films in the last few years haven’t really taken advantage of the Diwali period in the last few years, next year will be huge if films like ‘Robot 2.0’ and ‘Golmaal 4’ release. It’s these kind of films that the audience want to watch during Diwali. Q. Who has the best line up of films for 2017? A. Almost all actors have a good and varied line-up. Salman Khan obviously has two of the biggest films of 2017 in Tubelight and Tiger Zinda Hai, he takes the Top 2 festive weekends too. He should dominate and maintain his lead in the industry, as his films will appeal to every section of the audience. Our next pick is Akshay Kumar. Huge line up. Jolly LLB 2, Toilet Ek Prem Katha, Crack and Robot 2.0. Shah Rukh Khan has one massy film (Raees) and the other (Imtiaz Ali directorial) which should hold wider appeal. But Shah Rukh doesn’t have good release dates. Among the younger actors, Varun Dhawan and Arjun Kapoor have good films. Varun has Badrinath Ki Dulhania and Judwaa 2, both potential 100 crore grossers. Arjun has Half Girlfriend (Chetan Bhagat – Mohit Suri) and Mukarakan (Anees Bazmee). Ajay has two big films too, Baadshaho and Golmaal 4. Rest of the actors have one film each, which cannot really be called a ‘line-up’. Our pick in order of preference (from a box office point of view) – Salman, Akshay, Shah Rukh, Varun, Ajay, Arjun. Q. Which kind of movies Hrithik should do to get the old form. we know he is extremely talented but when he try to experiment his movie fails or under performs like Lakshya, Guzarish and Mohenjo Daro. A. Experiments can go wrong, but films like Lakshya and Guzaarish will never be big earners at the box office. Lakshya opened at 100% at the box office, which in itself was a major achievement, but it didn’t sustain. It has found cult status now, as many find the film to be very inspiring. So it all comes down to the choice of films and knowing the vision of the director, because a film like ‘Mohenjo Daro’ was probably signed because of the director and the end result was very poor when it comes to scale and setting. The perception that he is no longer in form is normal when a film has just failed at the box office. If ‘Kaabil’ does well, all will be well again. Q. What about Hrithik – Kabir Khan project which was announced on Nov 2015 to be produced by Sajid N ? Is it happening after Tubelight or Hrithik has opted out of it ? A. We haven’t heard about this in a long time now. Doesn’t seem to be happening. Q. Any chance of Raees vs Kaabil to be averted now? Or is it a deadlock now? A. The clash is on. Both films are coming on 26th January. Q. Rank these actors as star power SRK, AAMIR And Salman? A. Salman, SRK, Aamir. In terms of initial pull, irrespective of content. Domestic box office. Q. What is the word-of-mouth for Dear Zindagi? A. It’s positive at major cities, average elsewhere. Although it’s certainly not overwhelmingly positive anywhere. Q. What can be the combined total of Raees and Kaabil in the best case? Can Airlift’s record be challenged if both of turn out to be very good films? A. For one film to collect more than ‘Airlift’, the other film has to be rejected. Or one film has to be extraordinary and the other has to be average. If both films get equal response, it’ll be difficult for either to beat ‘Airlift’. It’s not that big a weekend. ‘Kaabil’ has costs in its favour, so the break-even point is at 85-90 crore. ‘Raees’ due to the delay, has higher costs, it needs to collect more and expectations are always higher from someone like SRK too. Q. Your take on Ashutosh Gowariker as a director? Is he that bad director to deliver 3 disaster in a row? A. We would put him in Sanjay Leela Bhansali’s league. Good director when in form, but chances of going wrong and delivering a disaster is high too.  All the profits that they make in 2-3 films, can be lost with one debacle. But to Bhansali’s credit, he’s been able to give scale to his vision. Ashutosh has failed in that department. Q. SRK’s ranking in worldwide popularity in actors of whole world? A. SRK is by far the most widely recognised Indian actor in the world. Q. What is your take on Alia Bhatt being considered “Too good too soon”? A. To her credit, she is one of the few female actors in the industry who can actually act. She was tremendous in roles that require acting histrionics (Highway, Udta Punjab) and can do the usual glam-roles too. We do not have too many female stars in the industry, so when someone like an Alia comes and does the kind of films she’s been doing, she’ll obviously walk away with a lot of praise and accolades. Q. Do you think there is any chance of dear zindagi to collect more than 100cr as it has collected 20cr in 2days and audiences has given thumbs up to this movie….It has also 2 weeks to earn…. A. Highly unlikely, but it can surprise if it holds well Monday onwards. There is ‘Kahaani 2’ this week and if that film is anywhere close to as good as the first film, it won’t be easy for Dear Zindagi to collect 2nd week onwards. Q. First ADHM, then 2.0 and now Meri Pyari Bindu. Why are everyone being so harsh towards Ajay Devgn? A. No one wants to unnecessarily announce a film on a day which is already occupied by another film. But there are only 52 weeks in a year and most weeks have already been taken. Recently, a big name in the industry came to us asking for a good release date for his film in May – June period next year, but that period is packed. So even if actors have a film ready for release 8-9 months from now, they do not have good dates, which makes clashes inevitable. Meri Pyaari Bindu is a small film, it won’t affect Ajay’s Baadshaho. Q. World has only seen 10% from SRK; he is much more talented. In future Bollywood will try & extract remaining portion from him. Personally, I also do feel so – what is Indicine opinion about SRK? A. 10% etc are vague figures for someone who has been in the industry for 25 years. But SRK has wasted his talent in the last few years by doing films that fall in the category of ‘silly’. As an actor he has much more to offer, even in a film like ‘Dear Zindagi’ he was fabulous. ‘Raees’, depending on Excel (it’s a banner that cannot be trusted to do mass films) and Dholakia, could be a film where his performance will carry the film. Apart from that, the Aanand L Rai film will give him a lot of scope to perform. Q. What are your predictions for Deepika’s Hollywood debut? How much do you think it could make in India? A. Her presence will add value to the film, but we cannot make predictions for Hollywood films. It’s very unpredictable. If it opens above the 6-7 crore mark, then the credit could probably be given to Deepika. It has helped the film be in news for sure. Q. Do you think the makers of Raabta chosen the right date? A. Not the best of dates – Feb 10 was a better date as it’s a romantic film as the Valentine’s Day on Tuesday would have helped the film. Now it’s coming during Ramzan period, a week after Toilet and two weeks before Tubelight. It’ll have to be a good film to make the audience spend 3 times in the same month, else they would save up for Tubelight. Q. Rank them on d basis of d better directing capability among these – Kabir Khan, SLB, Anand L Rai, Imitiaz Ali, Neeraj Pandey.Give ur reasons too. A. Kabir Khan and Anand L Rai are the Top 2, because they do universally appealing family films. Followed by Neeraj Pandey and Sanjay Leela Bhansali. Imtiaz Ali’s best work was Socha Na Tha (his debut) and Jab We Met, after that it’s been downhill. Tamasha and Rockstar were acclaimed film, but only a small section of the audience watched it. Q. With only 7 successes this year out of so many releases… what is going wrong with Bollywood ? A. It’s been a tough year because there seems to be a big disconnect between what the audience wants to watch and what our filmmakers are giving them. Sultan apart, there hasn’t been a film that appeals to the audience that comes out for films like ‘Tanu Weds Manu Returns’. The second film that has found audience at smaller centres was ‘The Jungle Book’, which did nearly 190 crore. When Tamil and Telugu film industries are doing films like ‘2.0’ and ‘Baahubali’, we are busy with 5-city urban films. Q. How is the buzz & hype for Raees currently? A. Nothing on the ground right now. It’ll start only after the trailer is released. Social media and fans aside, most people (general audience) don’t even remember the film now, it’s been a long time since the teaser came out. Q. Do you think Kaabil will get enough screens as compare to Raees? A. Yes, Rakesh Roshan will ensure the film gets a good release. Q. If you had the power to release THE RING to release whenever you want to, which best possible date will you select, along with reason? A. All major dates in 2016 are gone, so it’ll be about taking someone on and risking another clash.. or pushing the film to 2017. Independence Day release is a possibility, because the audience for Neeraj Pandey films is restricted to big cities. Diwali is no longer an option. Normal weekend may not give SRK a big 200 plus grosser, so they’ll have to work something out because the costs will be on the higher side Q. You havent updated your L.B.O for kaabil and Raees. Why ? Please update that. A. We’ll update it soon. Predictions for the first 6 months of 2017 will be added. Q. How much Demonetisation affected the collections and verdict of the recent released movies? A. Rock On 2 was the most affected film, but it wouldn’t have made much difference because there was no interest to watch the film. If there was interest, there were many ways to watch the film.. since the audience was urban, almost all of them have credit / debit cards. Force 2 was affected at smaller centres, impact was probably around 20% on Day 1 and 10-15% overall. Q. You said Force 1 was a flop and they made a sequel Force 2.. now you are saying Force 2 is a flop but they are having a success bash and John has said he will be making Force 3 soon.. What’s going on? A. Force 1 and Force 2 have both gone the same way at the box office. The trend in the first weekend was better for Force 2, but both films were poor during the weekdays. These success parties are meaningless. Deepika Padukone celebrated the success of ‘Tamasha’, but two weeks later she was talking about the film’s failure in an interview (Read). Force 2 has probably recovered costs for the producers from various rights and rebates, but if the net collections (half of which the distributors get) are not even close to the budget of a film, it’s a theatrical failure. Q. The overseas figures of ADHM and Shivaay show that Shivaay was a total washout. Did Shivaay really ad a chance in Overseas or i was just over hyped? A. We’ll let the numbers do the talking – ADHM has crossed the 85 crore mark overseas, 2nd highest overseas grosser this year after Sultan. Shivaay has wrapped under 10 crore. Q. What can be the possible reason behind releasing Raees trailer on 7th December and not along with Dear Zindagi ? A. They probably wanted the focus to be on ‘Dear Zindagi’ before moving on to ‘Raees’.  We had revealed in QnA session two weeks ago that the trailer would be out with Befikre. Releasing with Dangal would be too late. The decision is good. 6-7 weeks before release is a good time to release trailer of a film like ‘Raees’. Q. With Dear Zindagi performing very well and having a great performance by Alia, who do you think can be termed as the best actress of the year : Anushka Sharma (ADHM), Alia Bhatt (DZ, Udta Punjab), Tapsee Pannu (Pink), Sonam Kapoor (Neerja) or any other actress ? A. Alia Bhatt for Udta Punjab is the top contender to win awards this year, we think. Q. Varun Dhawan’s films are mostly mass oriented. What kind of multiplex following does he have? A. He’s had a good mix of releases, both mass friendly and movies that worked with the urban multiplex audience. Student Of The Year, Humpty Sharma Kil Dulhania, Badlapur worked mainly in big cities, ABCD 2 and Main Tera Hero clicked with the masses. He does have a good following amongst city audience, the kids love him too. But long way to go as far as the masses and family audience are concerned. Like someone in the trade said, for an actor to be the next Salman or Shah Rukh Khan.. the younger stars need to do films for the family audience and also action-oriented entertainers. On that note, we end today’s QnA session. Do join us again next week. Thank you.

Moh Maya Money Reviews by Critics

[mks_button size=”medium” title=”Average Rating of All ‘Moh Maya Money’ Review – 2.4 stars” style=”rounded” bg_color=”#1e73be” txt_color=”#FFFFFF” icon=”” icon_type=””] Moh Maya Money Review by Shubhra Gupta on Indian Express Rating: Munish Bhardwaj’s debut feature ‘Moh Maya Money’ is set in Delhi, nailing a certain sector of the Capital with an unerring eye, and giving us these two very Delhi creatures: there are hundreds of Amans you can encounter, working several hustles on the side, juggling so many balls at the same time that they are in the danger of forgetting that they can trip and fall anytime. And there are so many Divyas too, trying to balance stresses at work and home and a marriage which has begun creaking. The film also feels very apt, in these tough times of demonetisation, with its leitmotif of greed — all that unaccounted for money that Aman covets has been washed through the complicated innards of the real-estate business, where the difference between black and white blurs and is stark at the same time Moh Maya Money Review by Kunal Guha on Mumbai Mirror Rating: Neha Dhupia’s character takes centre stage in the second half and her graph goes through a dramatic shift, while Shorey’s remains largely consistent. Dhupia sinks into her character and internalises her state of mind. Shorey, who knocked it out of the park in Titli, is fairly committed here, even though his character’s attributes allow him only as much. While director Munish Bhardwaj tightly packs in much in the 109 minutes of the film’s runtime, there was scope for improvement. For one, the use of multiple perspectives to convey the same sequence seems repetitive and unnecessary. Especially since the additional track introduced could’ve been retained to add an element of intrigue to the climax. A mystery this is not as the film follows the inevitable. But how it wraps up may not be anticipated and is worth a watch. Moh Maya Money Review by IANS on Sify Rating: The script written by director Munish Bhardwaj has a convoluted screenplay. Narrated in a non-linear fashion with different, points of view, the plot gets repetitive, boring and tiresome. While the story is interesting and the tale evenly paced, the narrative drags and the consequence is predictable. While most of the supporting characters are one-dimensional souls, what keeps you glued to your seat is the quirky and complex characterization of its lead cast. The film is Ranvir Shorey’s canvas, being a natural actor with limited means, he delivers half-heartedly as Aman Mehra. He shines in some scenes as a weak human being and he sleep walks through the others. He is aptly and efficiently supported by Neha Dhupia, whose strong personality befits Divya. Together they make the perfect, odd couple. Moh Maya Money Review by Indiaglitz Rating: The story is typical and been shown is several films. The slow narrative style dilutes the flow of the film. The middle portions drags due to repetitive scenes and situations. The second half goes on an impractical mode with loads of cinematic liberties and ends up on a forced abrupt note. The connection factor is highly missing in the film. The cinematography is average and fails to enhance the quality of the film. The director has some decent twist and turns induced into the screenplay but fails to execute it due to the slow pace and inconsistent second half of the film. Neha Dhupia has lost her sexy image and looks quite bloated in every scene of the film. Moh Maya Money Review by Manisha Lakhe on Nowrunning Rating: The only shiny beacon is Neha Dhupia whose character grows on you, in spite of the surprise turn towards the end. The story is like so many insurance fraud movies you have seen. You can see where the story is going and wish there was even a teensy-weensy bit of humor in the story. The director makes Ranveer’s character so weak, so miserable, you don’t like him. And once the protagonist becomes dour and unlikeable, the rest of the movie is so easy to dislike. The end is obvious, and you wish it come earlier Review by Reza Noorani on The Times Of India Rating: The story builds quite well and keeps you guessing. The twists are interesting, unexpected and add to the story. It has a non-linear narrative, but it’s not tough to follow. However, the loose ends could have been tied up well, and the end leaves you wanting more. Moh Maya Money is a well-made crime thriller, where the characters may be cheating each other, but you’ll sure get your money’s worth. Review by Vishal Verma on Glamsham Rating: The highlight of MOH MAYA MONEY is the interesting premise and some realistic performance from the lead – Neha Dhupia and Ranveer Shorey. The greed, aghast and guilt are well portrayed by the two. The dialogues are crisp while the city of Delhi and Resul Pookutty’s background score play important characters in the film. What falters the chances of MOH MAYA MONEY to be a stout desi de noir thriller is its predictability in Munish Bhardwaj’s linear narrative that just before the interval you stop worrying as the proceedings give a bingo feeling to the audience’s thought process. It’s happening just as the way they thought. The twist later fails to thrill as it should have and the lack of intensity, excitement in the unfolding during the climax doesn’t do any good. Review by Kriti Tulsiani on News18 Rating: The first half keeps you invested but the second half gets you meandering pretty quickly. It gets a little over-dramatic with a bunch of twists and turns thrown here and there – the moment Ranvir’s character goes to buy a gun, you get to know where the story is heading. To the maker’s credit, the sound effect only enhances the narration and not for once works as a distraction. All in all, the film is a good watch and worth your new notes but be prepared for a tad-bit drama. And needless to say, the topicality and the timing, by the virtue of PM Modi’s ban on Rs 500 and Rs 1000 notes couldn’t be more perfect. Review by Suparna Sharma on Deccan Chronicle Rating: The film opens with the accident scene and then winds back 45 days before the accident. Somewhere in those days we figure that Divya has a secret life. Debutant writer-director Munish Bhardwaj’s Moh Maya Money is a moral tale with a sharp sting. Its engaging, intelligent plot keeps things nicely concealed till it twists to reveal one thing, and then another and another… shocking and delighting us at every turn. Review by Johnson Thomas on Mid-Day India Rating: The pacing becomes a liability and the performances although earnest, don’t have the emotional connect to make this effort more affecting. The no-frills approach also makes it less enlivening. And it’s ironic that a film that is trying so hard to be different actually ends up making the same mistakes that the Bollywood masala brigade has enshrined. The dialogues throw up interesting analogies but the script can’t sustain the witty energy for long. It’s a pity that neither the moh, maya or the money alluded to, is likely make you feel welcome for long. Best Rated Films in 2016 Pink – 4 stars Neerja – 4 stars The Jungle Book – 3.8 stars Airlift – 3.7 stars Kapoor & Sons – 3.7 stars Udta Punjab – 3.5 stars Fan – 3.5 stars Budhia Singh – Born To Run – 3.4 stars Sultan – 3.3 stars Dhanak – 3.3 stars Phobia – 3.3 stars Waiting – 3.3 stars M.S Dhoni – The Untold Story – 3.2 stars Parched – 3.2 stars Ae Dil Hai Mushkil – 3 stars Sarbjit – 3 stars Happy Bhag Jayegi – 2.9 stars TE3N – 2.8 stars Dishoom – 2.7 stars Madaari – 2.7 stars Force 2 – 2.6 stars Akira – 2.6 stars Rustom – 2.6 stars Azhar – 2.6 stars Kabali – 2.6 stars Baar Baar Dekho – 2.4 stars Mirzya – 2.3 stars Rock On 2 – 2.3 stars Fuddu – 2.3 stars Saat Uchakkey – 2.3 stars Shivaay – 2.2 stars Freaky Ali – 2.2 stars Mohenjo Daro – 2.2 stars Banjo – 2.2 stars Rocky Handsome – 2.1 stars Tum Bin 2 – 2 stars