Sushant Singh Rajput’s ‘Raabta’ has faced the worst possible rejection of the year, as the film that...
Category - Bollywood
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Raabta Reviews by Critics
[mks_button size=”medium” title=”Average Rating of All ‘Raabta ‘ Review – 2.1 stars” style=”rounded” bg_color=”#1e73be” txt_color=”#FFFFFF” icon=”” icon_type=””] Raabta Review by Indicine Rating: Raabta is a convoluted, overlong film which should have been snipped to a 2 hour film. The needless story angle in the second half makes the stale first half of the film look like a masterpiece. The references to other movies and TV shows are unintentionally funny. Although the lead actors have chemistry, it is undone by the choice of an unusual but ineffective actor as the main villain. Raabta seems like a bad choice by Dinesh Vijan to have made his debut with, as a director. It should be given a miss. Raabta Review by Bollywood Hungama Rating: The first half of the film is a breezy watch with rich visuals as it is set in today’s time in London. There are occasional gags and young romance that keeps you engaged. In the second half, the time line shifts and the unexplained past story that suddenly props up the main stay renders viewers confused. While the pace of the film in the second half is much faster than the first, the viewer is left at a loss due to a rather convoluted screenplay. While the first half of the film comes across as mash up of scenes and sequences from films like LOVE AAJ KAL, DDLJ and BEFIKRE to name a few, the second half is heavily inspired by GAME OF THRONES. Raabta Review by Manjusha Radhakrishnan on Gulfnews Rating: It’s the contemporary parts of the film that are relatively enjoyable. While you may wonder how a rich, eccentric man is allowed to roam free in Europe kidnapping women, the film doesn’t bow down to logic. The climax — which sees the lovers save the day — is unintentionally funny, but the last scene puts a smile on your face. All that drama also makes you wonder how an unhinged man is allowed to flourish without any fear of authorities. Raabta Review by Manju Ramanan on Masala Rating: Raabta has all the right ingredients of a ‘much seen’ Bollywood film – the abs, the legs, the looks, the songs, the locations, a solo dance number ( I refuse to call it an ‘item number’) with Deepika Padukone and the reincarnation story. It is a Sushant Singh film all the way and all those who like him will find it endearing and fun. For the rest, it is a chance you might want to take. Raabta Review by Nihit Bhave on The Times Of India Rating: Writers Siddharth-Garima and debut director Dinesh Vijan’s conviction isn’t questionable, but it doesn’t quite translate to the screen. Even though the movie is technically sound and looks great, it is missing the raw passion required to sell a love story. Especially one that’s been brewing for 800 years! Review by Rohit Vats on Hindustan Times Rating: Raabta lacks the finesse required to pull off a theme like this, but it is definitely good to look at. From Budapest to colour blasts during flashback scenes, it features some captivating moments. Sadly that doesn’t seem enough. Poor writing is Raabta’s nemesis provided you don’t want to settle for a ‘being there’ done that’ kind of a story. Review by Ananya Bhattacharya on India Today Rating: The biggest obstacle in the path of Raabta is the story. The subject is nothing that has not been done in Indian cinema earlier. The way the story is treated takes a toll on your patience. Seeing actors like Sushant and Jim being bulldozed by this sorry excuse of a film is plain painful. Songs like Ik Vaari Aa and the title track (with a smouldering Deepika Padukone) are hummable. Watch Raabta for Sushant and Jim. This a story of love through ages and lives, but Vijan is no Alfred Noyes. And Raabta is no Highwayman. Review by Sarita A Tanwar on DNA India Rating: This is Dinesh Vijan’s first film as director. He aims high with some dramatic moments and a big scale in terms of canvas. The locations are somewhat fresh. He manages to exude a likeable chemistry between Sushant and Kriti – they look comfortable with each other even in the most awkward scenes. Review by Jaidev Hemmady on Movietalkies Rating: The past birth sequences don’t look Indian at all and the costume designers seem to have been inspired by everything from Game of Thrones to Mirzya to Braveheart. Also, the past life sequences are devoid of any passion or intensity, which makes you wonder what was the big deal about this ‘janam janam ka saath’ anyway. Maybe the film sounded great on a script level, but on the silver screen, it seems to lack soul, which may affect the film adversely. In conclusion, Raabta is very average despite the pot having potentia Review by Manisha Lakhe on Nowrunning Rating: ‘Raabta’ means ‘connection’. Alas, there is no connect whatsoever between the three protagonists, in this life or previous and the audience. Let movies like Bahubali and Magadheera deal with reincarnation, Bollywood should know that they are terrible at fantasy. Mohenjodaro and Mirzya should have been hard lessons… Review by Tushar P Joshi on Bollywood Life Rating: Raabta is a good looking film. Meaning, besides the eye candy that is Sushant and Kriti, Dinesh has definitely spent a lot of money in capturing the lush locales of Bulgaria and the special effects and make up especially of Rajkummar Rao in the role of an Oracle is terrific. Dinesh creates a light and breezy first half where the banter between Sushant and Kriti feels easy and organic. Casting these two in the film was a brilliant idea because the chemistry between them is sizzling. Sushant especially has gone to all lengths to make get a toned body for his role as the tribal warrior. The hardwork pays off handsomely as he’s the best part of the film. There is immense likeability in him and he goes full throttle with his charm. Kriti manages to leave a mark with her scenes in the second half. The best moments are the one liners Shiv and Saira throw at each other and the tomfoolery that follows. Rajkummar Rao deserves a medal for enduring hours of torture to get into the difficult prosthetic make up for a blink and miss role. Review by Kunal Guha on Mumbai Mirror Rating: Making his directorial debut, Dinesh Vijan takes on a challenging project. Furnishing a mythical ancient time can be riddled with pitfalls. Right from costumes to situations, everything sits on the fence between reality and ridicule. A little extra or less could topple this imagined world. And while Vijan seems determined in delivering his vision and most CG creations seem believable, this khichdi of past and present lacks tadka and depth. Review by Rajeev Masand on News18 Rating: Sushant and Kriti have good chemistry together and some of their early scenes are fun. But they’re not playing particularly likeable characters so it’s hard to care for what happens to these people beyond a point. It’s a shame because Sushant has proved himself to be a really competent actor. Although, to be honest, even Denzel Washington couldn’t save this film. The only thing I can unconditionally recommend in Raabta is its music. There’s a bunch of really good songs shot across Budapest that are a welcome respite from the asinine drama. Review by Shubhra Gupta on Indian Express Rating: As you sit there wondering when all of it—involving a ‘dhumketu tara’ which will be near the earth after 800 years, underwater jugglery, and borrowed flashes from various films– will end, it comes to you l: this is no rom com. It is just a big rom con. Review by Sonil Dedhia on Mid-Day India Rating: Despite some major loopholes and faltering screenplay, both Sushant and Jim salvage the film to a great extent with their earnest performances. Sushant transforms into a warrior with ease. He is as fierce and serious in his past life as playful and cocky in contemporary life. Jim, on the other hand, does well as one struggling to come to terms with the reality. Review by Sukanya Verma on Rediff Rating: The producer turned director’s first attempt is so embarrassingly daft, it belies its potential for drama to validate a Dolly Bindra-lookalike soothsayer and empty vindication. Despite the shoddy early signs — there’s a comet named Love Joy hovering above the skies — Raabta begins on a watchable note. Review by Rohit Bhatnagar on Deccan Chronicle Rating: Barring Sushant and Kriti’s fans, it is impossible for anyone else to even bear five minutes of the film. The first half is plagued by too much time invested into establishing the romance between the leads, making a jarring jump post the ‘revelation’. It is probably Maddock Films’ worst film yet, having made the likes of Cocktail, Love Aaj Kal, Go Goa Gone, Finding Fanny, Badlapur and the very recent gem Hindi Medium, in the past. However, Raabta is even worse than Agent Vinod which Dinesh Vijan is regretful of. Review by Saibal Chatterjee on NDTVMovies Rating: The characters are superficially etched. The banker never ventures anywhere near anything that resembles a bank. The liquor tycoon, too, has no time to devote to his business. It is only the chocolate girl who once in a while gets her hands dirty in her workplace. Given the lack of depth in his role, it is a marvel that Sushant Singh Rajput occasionally breathes life into the vacuum at the heart of the film. Jim Sarbh is out of his depth in the garb of a crazed lover. For Kriti Sanon,Raabta is a choppy, rudderless ride. Raabta is only for Sushant Singh Rajput fans. When two and a half hours feel an hour too long, you know what’s to be done. Avoid. Review by Nitin Jain on Glamsham Rating: RAABTA sees the role reversal in COCKTAIL’s director Homi Adajania producing the movie where as Dinesh Vijan who produced COCKTAIL helming RAABTA. The production values, as far as the contemporary (times) story is concerned, are top class and very polished. Sushant Singh Rajput shows his confidence whereas Kriti Sanon’s acting is restrained. Jim tries to get into a barons ‘suit’ this time (post NEERJA) but does not get too much to explore though. In terms of costume design or makeup, guess the most efforts must have gone in Rajkummar Rao’s character design, but then was it really so important in the narrative after all? Raabta Review by Indiaglitz Rating: Director Dinesh Vijanis not able to handle is the second half of the film, especially the past life track. This track looked highly promising in the trailer, but out here ends up being half-baked and fails to create the required impact. There are plenty of loopholes in this part. The movie also keeps dragging in the later part due to its repetitive and bland scenes. Kriti fails to get inside the skin of her past life character. Jim Sarbh overact and is totally loud in few scenes. Rajkummar Rao and Varun Sharma are wasted. Review by Ritika Handoo on Zeenews Rating: Overall, we were expecting much more from this reincarnation drama. Watch ‘Raabta’ only if you feel the connection. Also, if you want to see Deepika Padukone dance to the title track on big screens! Review by Subhash K Jha on Bollyspice Rating: The fun element never forsakes the film even when the three main characters are locked in an intense afterlife discourse. Sadly there are only three characters in the film worth talking about. Not to mention Rajkumaar Rao who appears unrecognizable as an old man who resembles Vijay Raaz. 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Toilet Ek Prem Katha Trailer
The theatrical trailer of the keenly-awaited Akshay Kumar film – ‘Toilet: Ek Prem Katha’ – is out. It’s a social film to spread awareness on ‘Swachh Bharat’ and the need for toilet in every house. The film stars ‘Dum Laga Ke Haisha’ star Bhumi Pednekar as the female lead. ‘Toilet Ek Prem Katha’ has been directed by Shree Narayan Singh. It releases in theatres on August 11 2017. Watch the trailer below and tell us what you think in the comments section:
Raabta Day 2 Box Office Collection Report and Lifetime Prediction
‘Raabta’ has tanked on its second day, sealing the fate of the film as a box office disaster. Multiplex films usually tend to show growth on Saturday, but the collections of ‘Raabta’ has actually shown a drop – even though there was no major competition from older releases or cricket match involving India.
AskIndicine: Live Now
Q.What is your FBO and LBO for Jab Harry Met Sejal and Toilet Ek Prem Katha? A. FBO of Toilet: EPK will be updated later today, you can check the FBO page (indicine.com/fbo). As far as the LBO (lifetime prediction) is concerned, we are currently at 120 crore for Toilet Ek Prem Katha and 145 crore for Jab Harry Met Sejal (JHMS). The trailer of Toilet: EPK has been taken into consideration, the prediction would be further updated when the trailer of JHMS is out. Early LBO predictions are always based on the assumption that the word-of-mouth would be mixed to positive. For JHMS we are also assuming that the movie wouldn’t hold strongly on Monday, which has been the case with most SRK films in recent times and also Imtiaz Ali films. If the movie turns out to be outstanding and it holds very well over the weekdays, obviously it’ll retain a lot of screens / shows in Week 2 and collect a lot more than the current prediction of 145 crore. Q. Which film will take bigger opening Tubelight or JHMS? A. Should be ‘Tubelight’, but we’ll have to wait for the trailer of Jab Harry Met Sejal. Q. With Jab Hary Met Sejal coming on 4th Aug… it can retain how many screens for week 2? (approx) A. Depends entirely on the content of the film and the level of collections during the weekdays (August 7 – 10). Q. In case Tubelight flops, will it impact Salman’s stardom and credibility since his movies hasn’t flopped in a decade or so…is he the only star to have no flops in a decade? A. One failure once in a while doesn’t affect the stardom of top stars in the industry. It’s only when films begin to consistently fail does it begin to hurt, but Salman’s stardom is eternal. Even during his extreme low phase, he had fans – just that he wasn’t doing films that they wanted to watch. His choice of films has been excellent in the last couple of years, as long as he continues to do the right films.. he could sustain his stardom at this level for the next 5-10 years or more! Q. After the song Tinka Tinka from Tubelight, what are your expectations from the film? Don’t you think emotional content will be strong? A. The film will get a solid initial (considering Ramzan), the audience is now used to watching Salman films during Eid and he’s too big a star at the moment. But for a film that doesn’t have those usual commercial ingredients, it’s important that the emotions click. If that doesn’t strike a chord, then the film could underperform at the box office. Tubelight is definitely one of the riskier Salman films in recent times. Q. 1st-Is it official that Hrithik is doing biopic of Super 30 fame Anznd Kumar or its just a rumour. 2nd- What is your take on Hrithik’s this long break from acting. Is it hamper if he will sign such movie after a long break. A. One, Hrithik is doing the film, but there hasn’t been an official announcement. Two, established stars don’t really get affected by long breaks – Aamir had taken a 4 year break, people did not forget him. From our point-of-view, a star of his calibre should be doing many more films – but at the end of the day, the number of films that he does, his choice of scripts or the breaks that he takes in between films – are his personal decisions. Q. Rom-com genre is dead. Imtiaz Ali has no good track record. Toilet Ek Prem Katha is carrying good report. Where do u see JHMS now? What can be its opening? A. It would be wrong to say Imtiaz Ali doesn’t have a good track record. Jab We Met and Love Aaj Kal were hugely successful. Rockstar, Highway, Socha Na Tha are acclaimed films with a section of the audience. However, there are a few major concerns. One, the genre itself isn’t exciting the audience anymore, so it remains to be seen if SRK-Imtiaz have something new to offer. Two, no Imtiaz Ali film has worked on a Pan-India level and this is by far his biggest film (both in terms of star cast and costs) – so it has to work beyond those 10 odd cities. And three, there’s Toilet Ek Prem Katha in Week 2 – which is looking like a bigger film after the trailer. Q. Please clarify this. Between Akshay and SRK who is a bigger star in terms of stardom? A. SRK, much bigger. In terms of opening, SRK had given those 20+, 30+, 40 range openers. Lifetime too his under-performers (Raees, Dilwale) collect more than Akshay’s biggest grossers (Rowdy Rathore). So there’s no real comparison here, except for the fact that Akshay does far more films and most of them are lower in budget as compared to SRK. Q. Can Sid be considered as one of the bankable and leading youngsters as he has delivered 100 crore in his 3rd film? Or after Baar Baar Dekho his career is over? A. He certainly isn’t a bankable star at the moment and the opening of ‘Ek Villain’ wasn’t because of his ‘star power’. Else, his other films would’ve opened at that level too. However, his choice of films in recent times is quite interesting. ‘A Gentleman’ is a risky film because of its budget, but the rest are all smaller content-driven films. He’s working with a director like Neeraj Pandey. If some of these films click on a smaller level, it could do a lot of good for him perception-wise. Q. How is GST expected to benefit films? To what extent will the opening and lifetime increase? A. There still isn’t a lot of clarity over GST. We’ll probably have to wait for GST to come into effect from July 1 and then see how it goes. Currently, the government has said GST for tickets costing less than 100 rupees, will be 18% and tickets priced above 100 rupees will be 28%. This will give a big boost to single-screen business. It will also encourage exhibitors to price ticket under 100 during weekdays. How beneficial and how much the impact would be on opening and lifetime, is something that we cannot accurately comment on at the moment. Q. Was Pinjar starring Manoj Bajpaye a hit movie? A. Flop. Q. The way clashes are turning out and his films are performing, a solo release on Xmas 2018 looks difficult for Shahrukh Khan. The victory of Raees over Kaabil in perception game didn’t make a difference on Independence Day. So what’s your take on the Dwarf film, can Shahrukh Khan ensure a solo release? A. It’s not going to be easy to retain the big holiday, one or the other film will target that date. A strong performance from ‘Jab Harry Met Sejal’ will help. The box office performance of a superstar’s last couple of films makes a big difference. In the current scenario, only Aamir and Salman can hold on to festive dates and ensure a solo release. The reasons are obvious, only their films are crossing the 300 crore mark. Q. After change in release date of JHMS, which of the two, JHMS or TEPK , will be more benefited as TEPK will not get extra publicity? A. The strategy that the makers of Toilet Ek Prem Katha will adopt will be enough to keep the film in news. And the so-called publicity in itself is over-rated. The audience watches the trailer and decides whether to watch a film or not. TEPK has a strong trailer, that should be enough for the film to get a good initial. Q. Your views on the release date of Mubarakan. Is it wise to still stick to the same date after JHMS has been preponed? A. It was a good date with two open weeks, but that isn’t the case anymore. A big film like ‘Jab Harry Met Sejal’ is coming after a week and that film should take almost all screens. But if ‘Mubarakan’ is good and entertains like most Anees Bazmee films do, then it should be able to hold on to a fair amount of shows at multiplexes in Week 2. If the film isn’t good, then the second week wouldn’t matter at all. So it isn’t a big deal. Films like Hindi Medium, The Jungle Book, Bahubali 1.. have shown that good films that find appreciation, can survive even the biggest of competition. Q. Rate Munna Michael trailer? Will Spiderman HC affect Tubelight & JJ? A. From a mass-audience point of view, it’s a solid 8 on 10 for the trailer of Munna Micheal. Spiderman Homecoming won’t affect Tubelight, there’s a good 2 week gap. Jagga Jasoos won’t be affected either, Spiderman films are usually top-heavy – the first week has historically been by far the best. Q. Hello indicine, huge fan of your site! Just a question I had in mind… will you ever give a film a perfect 5/5 rating? A. Yes, it’s been given to films like Chak De India.